![]() ![]() Typically, access is provided across an institutional network to a range of IP addresses. ![]() If you are a member of an institution with an active account, you may be able to access content in one of the following ways: Get help with access Institutional accessĪccess to content on Oxford Academic is often provided through institutional subscriptions and purchases. This book links politics and aesthetics and situates dance at the center of a story about dramatic political change and youthful resourcefulness in one of the least-studied cities on the African continent. Infinite Repertoire follows young dancers and percussionists in Conakry as they invest in the present, using their bodies to build a creative urban environment and to perform and redefine social norms and political subjectivities passed down from the socialist generation before them. Far from dying with the socialist revolution, Guinean ballet continued to thrive in Conakry after economic liberalization in the 1980s, with its connection to transformative power retrofitted for a market economy and a rapidly expanding city. ![]() Guinea’s socialist state (1958-84) used staged African dance or “ballet” strategically as a political tool, in part by tapping into indigenous conceptualizations of artisans as powerful figures capable of transforming the social fabric through their manipulation of vital energy. Most neighborhoods boast at least one dance troupe, and members of those troupes animate the city’s major rites of passage and social events. In Guinea’s capital city of Conakry, dance is everywhere. ![]()
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